You can go down the street and many, many women are going by. It can be a big idea or a small idea, but you focus on it, and it becomes magically attractive and it brings other ideas in to join with it. Lots of ideas come, but once in awhile one comes and you fall in love. Ideas are hiding in there, in the big within. The discovery is in ideas, whether it’s ideas for a song, a film, a painting. Music, like movies, he explained, “all starts with the idea.” It’s a journey of discovery, about which he happily expounded in that reedy, distinctive, humble and humorous voice, the voice of a man in love with art.īLUERAILROAD: Does your musical journey start in the same way that you approach creating a movie?ĭAVID LYNCH: Yes. So when he released the beautifully mysterious musical journey known as Crazy Clown Time, we asked for an interview with the man himself about music. Ī guitarist who plays “upside down and backwards, like a lap guitar,” he has as much passion for what is heard as what is seen, and like all great artists, also recognizes the mystery and beauty in what is unheard and unseen, delighting in the bridges humans build to connect these realms. Not only did he collaborate intimately with the great composer Angelo Badalamenti on the scores to many of his classic films and “Twin Peaks” too, he’s one of the few directors in history – along with Charlie Chaplin – to compose music for his own films, including Wild at Heart and Mulholland Drive. Though famous forever as one of the greatest and most prolific directors of movies Hollywood and the world has ever known, David Lynch is also a long-time musician, guitarist and songwriter. David Lynch in West Hollywood photo by Paul Zollo.
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